4338.212 · July 31, 2018 AD
Skin on Skin
The stranger's mouth tastes like adrenaline, not desire — a distinction Marco's body doesn't bother to make. Something about this encounter is different. Something that bypasses fifteen years of careful choreography and makes him do the one thing he never does. For a few minutes in the dark, the compartment breaks open and he feels everything. Then the colours erupt.
"You spend your whole life armoured and the one time you take it off, that's when the blade finds you."
His mouth tasted like adrenaline.
That was the first coherent thought I had — not who is this, not what's happening, not any of the things a reasonable person might think when a stranger's lips collided with theirs in a janitor's closet. My brain, useless as always in moments like this, had defaulted to sensory cataloguing: the sharp, metallic tang of his saliva, the coffee underneath it, the faint chemical trace of toothpaste that had been applied hours ago and had long since been metabolised by whatever his morning had involved.
My hands were on his chest. I could feel his heart through his shirt — hammering, arrhythmic, the pulse of a man operating on panic rather than desire. That distinction should have mattered. It should have been a warning, a signal that whatever was happening here was not what my body had decided it was. But my body had spent the last five minutes priming itself for contact, and the distinction between one man's mouth and another's was not a category it was currently equipped to process.
I pulled him closer.
The door was still open behind me. I could feel the corridor light on my back, the thin strip of fluorescence that made us visible to anyone who might walk past. My hand left his chest and reached for the door — muscle memory, the automatic gesture of a man who had been closing doors behind himself in spaces like this since before he was old enough to vote. The latch clicked. The darkness folded around us. The corridor disappeared.
Now it was just bodies.
I pressed him back against the shelving. Bottles rattled behind him, the metallic clink of spray cans shifting on wire racks, and I registered the sounds the way I registered all background noise during these encounters — as data, as potential risk, as evidence of how much force was being applied and whether anyone outside might hear it. The assessment took less than a second. The shelving was solid. The closet was deep enough that the sound wouldn't carry to the corridor. The ventilation system provided its own white noise. Safe enough.
His hands found the hem of my vest and pulled it upward. I let it go, raised my arms to help it over my head, heard it land somewhere behind him. Then his fingers were at my shirt buttons, fumbling in the dark — working from the top while something in me shifted, some gear engaging that I hadn't felt engage in a long time, and I was meeting him from the bottom, both of us converging in the middle, and when the shirt fell open and his palms slid across my bare chest I made a sound that I managed to strangle into silence.
His touch was different from what I was used to. Not the furtive groping of a man in a bathroom stall, not the efficiency of someone getting what they needed before the guilt arrived. His hands moved like they were learning me — across my ribs, up to my shoulders, down my sides — and the attention in it, the almost inadvertent thoroughness, made my skin feel like it was coming alive in sections, nerve endings waking up in places I'd forgotten could respond to anything.
I reached for his jacket. Shoved it back over his shoulders. He let it drop. His shirt was next — I found the buttons and pulled, too impatient for the finesse I'd normally bring to undressing someone in the dark, and I heard the fabric tear slightly, a button skittering across the concrete floor, and then we were chest to chest and the contact was —
I don't have a word for what that contact was. I'd had skin against skin in dozens of encounters across fifteen years. Supply rooms and car parks and bathroom stalls and one memorable occasion in the back of a panel van in a service station car park outside Murray Bridge. The mechanics were always the same. Skin was skin. Bodies were bodies. The pleasure was physical and the satisfaction was temporary and the whole thing operated in a register that was fundamentally transactional, a biological itch being scratched with whatever tool happened to be available.
This was not that.
Something in the way his body met mine — the heat of him, the solidity, the way his chest rose and fell against my own with a rhythm that I could feel synchronising with my breathing — bypassed every circuit I'd built. Every safeguard. Every carefully maintained distance between what my body did and what I actually felt. The compartment that I operated in during these encounters — the sealed room where sensation existed without meaning — cracked open, and something rushed in that I didn't recognise and couldn't name, something that felt less like arousal and more like hunger in the oldest, most desperate sense of the word.
I wanted his skin. All of it. Against all of mine.
His mouth found my neck — teeth first, then tongue, the graze of stubble against the sensitive skin below my ear that sent a current down my spine and into my cock. I was fully hard now, straining against my work trousers, and when his thigh pressed between my legs I ground against him without shame because shame was something that happened afterward, always afterward, never during, never when the blood was moving and the skin was live and every nerve ending in my body was doing the only thing it had ever honestly wanted to do.
He found my belt. Worked it open. His hands pushed my trousers down over my hips and I didn't do what I always did — I didn't stop them at mid-thigh, didn't preserve the option of a thirty-second redress, didn't maintain the practical compromise of a man who knew that encounters in closets sometimes ended abruptly. I stepped out of them. Kicked them away. Heard them land somewhere in the dark and didn't care, because the programme that governed these situations — the risk management, the exit strategy, the constant background calculation of exposure and recovery time — had been overridden by something stronger, something that wanted contact with an urgency I hadn't felt since I was seventeen and didn't know how to defend against.
His hand found me through my underwear. Firm, purposeful, tracing the shape of me through the cotton, and my hips jerked forward involuntarily. I bit down on my lip. The sound I wanted to make stayed locked behind my teeth — that much discipline survived, at least — but the rest of my caution was gone. I pushed his hand away only long enough to shove my underwear down and step out of it, and then I was naked in a cleaning closet in the airport where I worked, bare feet on cold concrete, every inch of my skin exposed, and I pulled him back against me because the two seconds without contact had felt like suffocation.
The sensation of his clothed body against my naked one should have registered as an imbalance — him still in his jeans, me in nothing, the asymmetry that in any other encounter would have triggered my awareness of vulnerability, of exposure, of who had the power and who didn't. It didn't register. Or rather, it registered and I didn't care, because his hands were on my back and my arse and the base of my spine, and every point where his skin met mine was a detonation of warmth that I wanted more of with a greediness that frightened me and that I had absolutely no intention of resisting.
I found his belt in the dark. The buckle was warm from his body heat. I worked it open, loosened his jeans enough to get my hand inside, and when I wrapped my fingers around him — hard, hot, straining against the denim — he made a sound against my throat that vibrated through my chest. I stroked him through the gap in his jeans, my wrist pressed against the rough edge of his waistband, and felt the specific satisfaction of another man's desire in my hand — the proof that I was wanted, that this body I'd spent thirty years being ashamed of was capable of producing a response that had nothing to do with performance.
His hand closed around me. Skin on skin. His grip firm, his strokes practised enough to tell me he'd done this before but unhurried in a way that was new, a way that paid attention to response, that tightened when I inhaled and slowed when my breath caught, and I had to grip the shelf behind him to keep my knees from buckling.
We found a rhythm. Hands moving, mouths tasting, my naked body pressed against his half-clothed one, the darkness making everything both more intense and more anonymous — the paradox of sex in spaces like this, where you couldn't see the other person's face but could feel every tremor and response with a clarity that daylight would have diluted.
I was close. The pressure was building at the base of my spine, the coil tightening, and I wanted — not just the release, not just the mechanical conclusion of the act — I wanted to give him something. The impulse was unfamiliar and I didn't examine it. I just dropped.
My knees hit the concrete. The cold bit into my skin and I didn't care. I found him with my mouth, and the taste of him — salt, skin, the sharp musk of arousal — filled my senses. I closed my eyes and let the last fragment of thought dissolve into pure physical function. This was where the compartment used to seal itself. This was where thinking stopped and the body took over and the man who cleaned bathrooms ceased to exist.
Except the compartment was already broken. Had been broken since the moment his chest touched mine. What I was doing on my knees in this closet didn't feel like the other times — the efficient exchanges that left me empty and ashamed in equal measure. This felt like something I was choosing with my whole self, not just the sealed-off part, and the difference was so disorienting that my eyes stung behind my closed lids.
"I've wanted —" I started, pulling back just far enough to speak, the words forming before I could stop them — a confession, a stupid admission aimed at no one and everyone, at the accumulated weight of thirty years of hiding —
He kissed me. Hard. Swallowing whatever I'd been about to say, and I was grateful because the words would have been a mistake, would have cracked open something I couldn't close again, and I —
His hands were on my shoulders. Gripping. Not the way they'd been gripping before — not pulling me closer but repositioning me, turning me, manoeuvring my body with a force that had shifted register from desire to something I couldn't read. Something urgent in a way that didn't match the rhythm we'd established.
I let him move me. My naked body compliant, rearranging itself to accommodate what I assumed was a change in position — still interpreting everything through the only framework I had, still running the programme even though the programme had been telling me for the last five minutes that this encounter had departed from every template it knew.
He turned me so that my back was toward the door.
Then the light hit.
Not the fluorescent strip from the corridor. Not the thin line beneath the door or the glow of a phone screen. This was something that had no name in any language I knew — colour erupting behind me, inside the air behind me, a violent bloom of purple and blue and green that painted the walls of the closet in shifting, liquid light and turned the shelves and bottles and the man's face into something from a fever dream.
His eyes were wide. The colours moved across his features like water, and in the half-second before everything went wrong I saw something in his expression that I'd missed entirely — not desire, not the intensity I'd been projecting onto him for the last however many minutes. Something cold. Something that had been there the whole time, underneath the kisses and the hands and the sounds he'd made against my neck, hidden in plain sight the way things always are when you're too busy wanting to look properly.
Something calculated.
His hands tightened on my shoulders.
He shoved me.
The force of it emptied my lungs — not a push but a launch, both hands driving into my bare chest with a violence that cracked the moment open like an egg. I stumbled backward, naked, arms windmilling, the floor gone from beneath my feet as I tipped past the point of recovery and fell —
Not onto concrete. Not onto the closet floor. Not onto anything.
I fell through.
The colours swallowed me. The purple and blue and green opened up like a throat and I went into it, and the world ended.
Not metaphorically. Not in the poetic sense of a man whose life has changed. The world — the floor, the walls, the ceiling, the closet, the man, the airport, Adelaide, the planet — all of it ceased to exist in a single instant of complete sensory annihilation. There was nothing. No sight, no sound, no temperature, no up, no down. Just a gap in the sequence of being alive — a hard cut between one frame and the next, with nothing in between.
Then I hit the ground.
Dust. Hot dust, fine as talcum powder, erupting around me as I landed on my back with a force that drove the air from my chest a second time. Red dust — the colour visible even through the cloud of it that my impact had thrown into the air — coating my skin, my lips, the inside of my mouth where I'd gasped on impact.
Sky above me. Blue. Ordinary, cloudless blue, the kind of sky I'd seen a thousand times driving north through the mid-north on the way to the Flinders. For a dislocated half-second my brain tried to use that as an anchor — you're still in South Australia, you fell, you hit your head, this is just dirt and sky and you're fine — before the rest of the sensory data arrived and the anchor ripped free.
Heat. Immediate, enveloping heat — not the trapped warmth of the closet but something environmental, radiating from the ground beneath me and the air above me and the horizon in every direction. A dry, mineral heat that pressed against my bare skin like a palm. Every inch of bare skin, because there was a lot of it. Because I was naked.
I looked down at myself.
Red dust coated my chest, my stomach, the creases of my thighs. My cock — still absurdly, obscenely half-hard, the blood retreating from it in belated recognition that the situation had changed categories — hung between my legs like evidence at a crime scene. My feet were bare. My hands were bare. There was not a single piece of fabric anywhere on my body. Everything I'd been wearing was on the floor of a janitor's closet on the other side of whatever had just happened to me, kicked aside and forgotten in the particular madness of wanting someone so badly that I'd abandoned every instinct I had.
Fifteen years of being careful. Fifteen years of keeping my trousers at my ankles. One encounter that felt different, one man whose touch made me stupid, and I'd stripped myself bare like a teenager who'd never learned that the world punishes you for wanting things.
Behind me — or what I thought was behind me, orientation having lost most of its meaning — light still moved. I twisted onto my side, dust grinding against my hip, and saw it.
A rectangle of colour. The purple and blue and green churned within it.
Something flew through it.
A bundle — dark, shapeless — ejected from the colour field with force enough to send it tumbling through the air before it hit the dust three metres from where I lay. My clothes. I recognised the hi-vis vest first, the yellow sharp against the red earth, then my shirt, then my work trousers bundled around my shoes. Thrown through as a tangled mass.
More objects followed. A spray bottle, spinning end over end, catching the bright sunlight. A packet of bin liners. Cleaning cloths fanning out mid-air. A bottle of industrial detergent that hit the ground and rolled, leaving a furrow in the dust. Random items grabbed in handfuls and hurled through — the debris of my cleaning cart, flung after me like supplies thrown to a castaway from a departing ship.
Then the colours died.
The rectangle didn't collapse — it shifted. The churning wall of colour drained out of it like pigment dissolving in water, and what remained was something else entirely. A screen. Translucent, faintly luminous, rising straight from the dust like a slab of light someone had planted in the earth. It showed nothing — no closet, no shelves, no suggestion of the room on the other side or of anything at all. Just a shimmering, semi-transparent surface that caught the daylight and held it, like a pane of glass that hadn't decided whether to be solid or air.
I got to my feet. The dust was hot beneath my bare soles and my legs were unsteady — the muscles trembling with the aftermath of adrenaline and arousal and the complete structural failure of every framework I'd ever used to understand reality. Red dust clung to every part of me. My chest, my arse, my cock, the backs of my legs. A fine terracotta film covering my entire body, as though the ground itself was trying to claim me.
I walked toward the screen.
Up close, the surface had a quality I couldn't name — a visual texture like heat haze, or the shimmer above a road on a summer afternoon. Not quite liquid, not quite solid. It didn't reflect my image. It didn't show what was on the other side. It just stood there, a luminous slab of nothing, defying every physical law I was capable of articulating.
I reached out and touched it.
My fingertips met resistance — not hard, not sharp, but a dense, yielding pressure, like pressing your hand into a current of water flowing the wrong direction. I pushed harder. The surface didn't give. Didn't open. Didn't do whatever it had done when the colours were churning and the man — the man whose cock I'd had in my mouth thirty seconds ago — had shoved me through it like something to be disposed of.
I pushed with both hands. Flat-palmed, leaning my weight into it, pressing until my arms shook and the dust shifted beneath my bare feet. Nothing. The screen absorbed the pressure and returned nothing. Solid. Sealed. A door locked behind me.
I slammed my palm against it. The sound was dull, absorbed, swallowed by the surface without echo.
I hit it again. And again. The impacts made no mark, produced no result, changed nothing except the state of my breathing, which was accelerating toward something that felt less like exertion and more like the onset of a panic I'd been holding at bay since the moment I'd hit the ground.
I stepped back.
Looked at the screen. Looked at the sky — blue, cloudless, achingly ordinary, the kind of sky that could have hung over any stretch of outback between Adelaide and Alice Springs if it weren't for the fact that nothing else about this place matched any geography I'd ever seen.






