4338.211 · July 30, 2018 AD
The Road of Small Obstacles
En route to the Owens’ property, Karl and Sarah’s tense silence shatters — first with panic, then with laughter — when a flock of stubborn Tasmanian chickens brings their investigation to a halt. In the brief absurdity of the moment, old rhythms resurface and bruises fade just enough to remember how to laugh. But as the storm closes in, the levity feels borrowed — a fragile calm before everything unravels again.
“Sometimes the universe doesn’t test you with tragedy — it tests you with chickens.”
Our drive was abruptly interrupted as Sarah suddenly cried out, "Watch out!" Her hand shot out instinctively, fingers splayed as if to snatch control of the wheel, the movement so sudden it was almost violent. The unexpected motion yanked me from my thoughts—adrenaline surged through my system like electricity, pulse thudding hard against my throat, vision sharpening with that particular clarity that comes with perceived danger.
I reacted on pure reflex, foot slamming the brake with more force than finesse. Tyres squealed against the tarmac in a sound that set my teeth on edge, the car lurching forward with momentum before jolting to a stop with neck-snapping abruptness. Our seatbelts snapped tight across our chests, pinning us momentarily in place.
My heart hammered against my ribs, breath coming fast and shallow, body flooded with fight-or-flight chemicals that would take minutes to metabolise. Every nerve ending felt alive, hyperaware, braced for impact or threat or whatever had prompted Sarah's warning.
Barely a metre ahead, several plump brown chickens scurried across the road in frantic procession. Their feathers were fluffed and ruffled, giving them twice their actual size, moving with that peculiar combination of urgency and complete lack of coordination that characterised panicked poultry.
I sat in stunned silence for a heartbeat, hands still gripping the wheel with white-knuckled intensity, heart still pounding in my ears with the rhythm of anticipated crisis. The adrenaline continued coursing through me with nowhere to go, no threat to fight or flee from, just chickens crossing a road like some absurdist joke come to life.
I glanced over at Sarah, still processing the shift from panic to farce. Her expression cracked almost immediately—lips twitching at the corners, eyes crinkling in spite of herself, the stern detective mask slipping to reveal genuine amusement beneath. She tried to stifle it, pressing her lips together. But the smile was there, irrepressible and real.
The tension that had sat between us like fog since we'd left Hobart lifted, just slightly.
"We must be getting close," I said, breaking the silence, voice still carrying traces of the adrenaline spike that was slowly dissipating into something closer to sheepish embarrassment.
"We are," she confirmed, pointing ahead with her right hand. Through the windscreen, partially obscured by overgrown vegetation, I could see a wooden sign half-swallowed by grass and blackberry thorns, those invasive plants that seemed to claim everything in rural Tasmania if left unchecked for more than a season. "That's the road to the Owens' property."
The sign leaned at an awkward angle, as if it had given up trying to stand straight some years ago and simply accepted its fate. The white paint that must have once clearly marked the property name had weathered to a faint grey, letters barely distinguishable against the aged wood. Time and Tasmanian weather had done their work, reducing what was probably once neat and welcoming into something vague and slightly melancholy.
The laneway beyond it was narrow and deeply rutted, the kind of track that spoke of infrequent maintenance and regular seasonal flooding. It was framed on both sides by towering eucalyptus trees—massive ghost gums whose silver bark shone dull in the flat, pre-storm light, their pale trunks standing like sentinels marking the boundary between maintained road and wilderness proper.
The storm had advanced faster than expected—those dark clouds we'd seen building to the west had caught up to us with surprising speed. Low clouds now blanketed the entire sky, creating a grey ceiling that pressed down on the landscape, turning the afternoon prematurely dark.
I gave the horn a short beep, hoping to nudge the birds along, to encourage them to complete their crossing so we could proceed.
The blast cut through the quiet countryside like a starting gun. The sudden noise sent a pair of rosellas flapping from a nearby branch in startled flight, their colours briefly vivid against the grey sky before they disappeared into the forest.
The chickens, however, barely reacted. They continued their chaotic procession across the tarmac with undiminished determination, completely unimpressed by my attempt at intimidation. If anything, the horn seemed to have made them more stubbornly slow, as if to make a point about who actually controlled this particular stretch of road.
The last hen in the procession—a particularly regal thing with russet feathers that caught what little light remained, possessing a waddling gait of supreme indifference—paused squarely in front of the car and looked up at me through the windscreen. Not with fear or alarm, but with what could only be described as disdain.
She stared directly at me, bold and judgemental, her head tilted at an angle that somehow conveyed both curiosity and contempt. I could almost hear her cluck of disapproval, could almost read the assessment in her beady eyes: City folk. In a hurry. No respect for the natural order of things.
She pecked at the road once, a deliberate action that seemed designed purely to demonstrate her complete lack of concern, then took one slow, measured step forward. She paused again, glancing back over her shoulder as if to say, I move when I'm ready, not before. This is my road, and I'll take as long as I like.
"This is ridiculous," Sarah muttered beside me. She unclicked her seatbelt with a decisive motion and shoved open the passenger door with enough force that it swung wide on its hinges. The creak of the hinge startled a few more chickens from the roadside verge, sending them scattering into the undergrowth in squawking disarray.
I couldn't help myself—I laughed. A full, unexpected sound that escaped from somewhere I'd forgotten existed, bubbling up from a place deeper than the professional mask I'd been maintaining.
Sarah, who faced down drug dealers and violent offenders without visible fear, was now knee-deep in feathers and flapping wings, trying to herd chickens like some city girl playing farmhand in a rural comedy. Her arms waved with increasing urgency, movements becoming less the controlled gestures of a trained law enforcement officer and more the frantic flailing of someone rapidly losing a battle with livestock. Her tone shifted from authoritative commands—"Move! Go on!"—to increasingly exasperated pleas—"Seriously? Just go!"
The chickens were not impressed. If anything, they seemed to interpret her presence as entertainment rather than threat, scattering in random directions that bore no relationship to her herding efforts. They demonstrated that peculiar chicken logic that makes them simultaneously flighty and stubborn, panicking at shadows whilst standing their ground against actual threats.
One in particular—a small, speckled troublemaker with mischief in its beady eyes—seemed to interpret Sarah's arm-waving as some sort of invitation or challenge. It chased after her with determination, wings flapping in an unsteady jog that looked more comic than threatening, utterly undeterred by her attempts to shoo it away.
I lowered the window, letting the cool, damp air rush in, bringing with it the scents of rural Tasmania. It smelled of earth and storm-charged eucalyptus, that distinctive combination of petrichor and aromatic oils that characterised the landscape before significant rain.
"You shoo, I'll drive," I called out to her, barely containing the laughter in my voice, each word emerging with poorly suppressed amusement.
"Fine," she shot back, breathless from her chicken-chasing efforts. Her hair had fallen loose from its usual neat arrangement, strands falling across her face as she attempted to huff them aside with a breath that clouded slightly in the cool air, creating a brief mist that dissipated immediately.
I crept the car forward with exaggerated care, steering wheel light in my hands, careful not to clip any of her feathery pursuers despite the absurdity of exercising such caution for creatures that had already demonstrated no sense of self-preservation. In the rearview mirror, I watched Sarah continue her one-woman parade, the chickens hot on her heels like she was some sort of Pied Piper of poultry. One particularly aggressive specimen tried to peck her shoe, eliciting a small hop of avoidance that would have been graceful in other circumstances but looked slightly ridiculous given the context. She wheeled around with arms spread wide like a goalkeeper blocking a net, finally managing to herd the birds off the road and into the scrub.
"Karl! Wait!"
Her voice rang out behind me. I slowed to barely more than walking pace, watching in the mirror as she abandoned her chicken-herding efforts and started after the car.
She sprinted the last stretch, long-legged and determined, eating up the distance with efficient strides. A flush rose on her cheeks from exertion and the cold, making her look younger, more alive than the exhausted detective I'd been working alongside.
The chickens, now thoroughly bored of the chase and apparently satisfied with their demonstration of dominance, veered off into the bush with final clucks of disdain, disappearing into the undergrowth to resume whatever chicken business they'd been pursuing before our rude automotive interruption.
She yanked open the passenger door with unnecessary force, breathing heavily from the sprint, eyes flashing with a complicated mixture of incredulous amusement and lingering irritation.
"I think the girls like you," I teased as she climbed back in, brushing hair from her face with impatient fingers.
"Not funny, Karl! There's a reason I don't do country," she shot back, slamming the door with more force than necessary and tugging her seatbelt into place with sharp movements that communicated her displeasure.
But there was lightness in her tone, I noticed with relief. Her annoyance was mostly performance, the kind of exaggerated irritation that people deploy when they're actually amused but don't want to admit it too readily. And beneath it, visible for just a moment before she could reconstruct her professional mask, I saw it—that spark. The version of Sarah I'd known before yesterday's disaster. Before the shove. Before the crack of her head against Luke's wall and the look in her eyes that still haunted my quieter moments. The Sarah who could find humour in absurdity, who could laugh at herself, who wasn't carrying the weight of assault and betrayal.
"Sarah, you were born in the outback," I reminded her gently, allowing myself a small smile at the memory of her stories. "That's more country than country gets."
"That doesn't mean I liked it," she grumbled, trying and failing to smooth the hair curling at her temple.
I laughed again—real, unforced laughter this time—and nudged her elbow with mine in a gesture of affection that felt natural despite everything. "That's not what your brother says."
She didn't hesitate in her response. A sharp jab to my shoulder, not hard enough to actually hurt but firm enough to communicate mock displeasure. Her smile lingered this time, reaching her eyes, genuine and unguarded.
"Just drive."
And I did.
