4338.213 · August 1, 2018 AD
The Return Assignment
The morning after the worst night of her life, Detective Sarah Lahey walks into the station hoping to slip past unnoticed, only to be summoned into Sergeant Claiborne's office where she learns an anonymous caller has reported a break-in at Luke Smith's house. As her stomach churns and memories of snapped necks and stolen evidence flood her mind, Sarah faces an impossible choice: refuse the assignment and raise suspicions, or return to the scene of her crimes with Karl and pretend she's seeing it all for the first time.
"The universe has a sick sense of humour — it makes you investigate your own crimes whilst pretending you're still a detective."
"Detective Lahey."
Sergeant Claiborne's voice stopped me mid-stride just as I'd thought — hoped, prayed — I might slip past his office unnoticed.
My heart began to pound in my chest with immediate, visceral intensity — each beat a hammer strike against my ribcage, so forceful I was certain anyone nearby could hear it, could see the physical evidence of panic written across my body.
I knew I shouldn't have come into work today.
The thought repeated with accusatory clarity, that internal voice that had been screaming at me since I'd woken this morning — if you could call it waking when sleep had been impossible, when I'd spent the pre-dawn hours staring at the ceiling whilst my mind replayed the previous night's horrors on an endless loop.
The emotional turmoil from last night's events left me feeling like a wreck in ways that transcended mere exhaustion. I was operating on autopilot, my body going through the familiar motions of routine whilst my mind remained trapped in that house on Berriedale Road, trapped in the moment I'd opened that storage door, trapped in the sick understanding of what I'd become.
But staying away from work would have raised questions — questions I wasn't remotely ready to answer, questions that would have led to conversations I couldn't afford to have. So I'd come in, showered until my skin was raw, dressed in clean clothes that felt contaminated the moment I put them on, and walked into the station like nothing had changed.
Like I wasn't a completely different person than the detective who'd left here yesterday afternoon.
"Lahey." Claiborne's voice came again, firmer this time, carrying that particular tone of authority that brooked no delay or pretence of not having heard.
I turned slowly to face him. The Sergeant stood by his office door, his sharp features etched with an expression that seemed unusual for him — concern, maybe, or suspicion, or some combination that made my stomach clench with fresh anxiety.
"Step into my office."
The words were delivered as instruction rather than invitation, the kind of directive that didn't permit refusal or negotiation. He moved aside slightly, making space for me to enter, his posture somehow managing to be both courteous and commanding simultaneously.
My stomach responded immediately to the surge of nerves flooding my system. It gurgled loudly — embarrassingly, grotesquely — as if it were some deranged internal blender viciously working on the breakfast I'd forced down this morning despite having no appetite whatsoever.
I pressed a hand against my abdomen instinctively, as though that might somehow muffle the audible evidence of my distress, might make my body cooperate with the facade of normality I was desperately trying to project.
A wave of nausea washed over me with intensity that made swallowing difficult. For a horrible moment I thought I might actually vomit right there in the hallway — wouldn't that be perfect? Wouldn't that just complete the picture of someone barely holding themselves together?
Get it together, I commanded myself with more force than conviction. You're a detective. You've been in worse situations. You can handle a conversation with your sergeant.
Except I hadn't been in worse situations. Not really. I'd faced armed suspects, had investigated horrific crime scenes, had dealt with the worst humanity had to offer from the safety of professional distance and legal authority.
But I'd never been complicit in murder. Never contaminated a crime scene to protect someone I cared for. Never stood on the wrong side of the law I'd sworn to uphold whilst pretending everything was normal.
With each step towards Claiborne's office, catastrophic scenarios multiplied faster than I could process them.
Did he know something? Was this about Karl? About last night? Had someone seen me at the house? Had forensics found evidence already? Was there video footage I didn't know about? Had Karl already talked?
The questions spiralled, each one more terrifying than the last, building anxiety that made breathing difficult and thinking clearly nearly impossible.
As I crossed the threshold into his office, I braced myself for whatever was coming. The walls seemed to close in immediately — that particular quality of small rooms under stress, where the space contracts and the air thickens and every surface feels too close, too confining.
The door remained open behind me — Claiborne hadn't closed it yet — but somehow the room still felt sealed, separate from the rest of the station, isolated in ways that made escape feel impossible even with a clear exit visible.
I stopped a few feet inside, maintaining professional distance, trying to read his expression for clues about what this was really about. My hands wanted to fidget — to adjust my clothing, to touch my hair, to do something with the nervous energy coursing through my system — but I kept them still at my sides through sheer force of will.
You're innocent until proven otherwise, I reminded myself. He doesn't know anything. This could be completely routine. Don't give him reasons to suspect.
But the internal pep talk felt hollow, unconvincing even to myself. Because I wasn't innocent. Was so far from innocent that the word felt like a cruel joke, a concept from a previous life before I'd performed unspeakable actions.
I stood there waiting for him to speak, my mind a tumult of thoughts and fears, trying desperately to hold myself together whilst everything inside screamed that I was about to be caught, about to be exposed, about to face consequences that would destroy everything I'd built.
The events of the previous night hung over me like a physical weight — oppressive and inescapable, colouring every thought and perception. The image of the broken neck, his empty eyes staring at nothing, his body crammed into that space like discarded clothing — it was all I could see when I closed my eyes, all I could think about when my mind wasn't actively focused on something else.
My career, my future, my very sense of self — all of it seemed to hang in the balance as I waited for Sergeant Claiborne to break the silence that stretched between us like a taut wire, vibrating with tension and unspoken accusations.
He moved past me to close the door, and the soft click of it settling into the frame felt like a cell door locking. My stomach lurched again, that deranged blender working overtime, threatening to revolt entirely.
Whatever happens next, I told myself with the kind of grim determination that came from having no other options, you have to hold it together. You have to play this right. There's too much at stake to fall apart now.
Claiborne turned to face me fully, his expression still carrying that unusual quality of concern mixed with something else I couldn't quite identify. For a long moment — seconds that felt like hours — he simply studied me, his gaze moving across my face as though searching for something specific.
I fought the urge to look away, to break eye contact, knowing that would be read as guilt or evasion. So I held his stare, projecting confidence I didn't feel, waiting for the axe to fall.
"Have you seen Jenkins this morning?" Claiborne's question finally came, piercing the heavy silence.
The relief was so immediate and profound I nearly staggered. Karl. The question was about Karl, not about me, not about last night directly. Just a simple inquiry about my partner's whereabouts.
"No, Sergeant," I replied, keeping my voice steady despite the way my heart was still racing. I shook my head for emphasis, adding physical confirmation to verbal denial. "I think he's still at home."
The lie — or was it a lie? I genuinely didn't know where Karl was — came easily, smoothly, with the practiced ease I was developing for deception. I had no idea if Karl was actually at home. Hadn't called him, hadn't texted, hadn't had any contact since I'd watched him vault that fence and disappear into the night whilst a body cooled in a cupboard behind me.
It was the safest answer I could give without revealing too much, without opening doors to questions about why I would or wouldn't know Karl's location, about the nature of our relationship, about what we did or didn't share with each other.
But even as I spoke, even as Claiborne seemed to accept the response at face value, my mind was already racing ahead to new concerns.
Why is he asking about Karl? What does he know? What's happened that makes Karl's whereabouts suddenly relevant?
The questions kept coming, anxiety that had briefly receded surging back with renewed force, and I stood there waiting for whatever revelation was next, knowing that nothing about this day was going to be simple or safe.
Claiborne moved with sudden decisiveness, taking several quick steps towards me that brought him well inside what would normally be considered appropriate professional distance. His proximity was overwhelming, aggressive in ways that made alarm bells ring through my already hyperactive nervous system.
He was close enough that I could smell the coffee on his breath — that distinctive aroma of dark roast consumed black, probably hours old, the scent all police stations seemed to exude from every pore. It was an intimately familiar smell, one that usually brought comfort through association with routine and normality.
But right now it triggered something else entirely. The scent was too reminiscent of Karl — of our morning routines, of conversations over shared cups, of intimate moments that now felt tainted by what I knew he'd done, by what I'd helped him conceal.
My stomach churned violently, that deranged blender accelerating its brutal work. The memory of last night crashed over me with physical force — visceral and immediate and impossible to suppress no matter how hard I tried to maintain professional composure.
The dead man's snapped neck.
The image materialised with horrifying clarity: the head lolling at that freakishly abnormal angle, the way his skull had drooped sideways when I'd tried to move him, the absolute wrongness of a body that no longer obeyed basic structural laws because the architecture holding it together had been catastrophically broken.
His dark, empty eyes.
Those eyes that had stared at me with terrible accusation, that had asked silent questions I couldn't answer: Why didn't you save me? Why are you protecting my killer? What kind of person are you?
The memories forced me to suppress a rising gag, my throat constricting, saliva flooding my mouth in that warning that preceded vomiting. I swallowed hard — once, twice — fighting against my body's desire to expel the poison of guilt and horror that seemed to have taken up permanent residence in my gut.
Don't you dare, I commanded myself with desperate intensity. Don't you dare throw up in Claiborne's office. Get it together.
The thought that Karl could be capable of such violence, could snap another human being's neck with enough force to kill and then simply walk away... it was too much to process, too fundamentally incompatible with the person I'd thought I knew.
Or maybe it wasn't incompatible at all. Maybe I'd just been wilfully blind, choosing not to see the signs because acknowledging them would have required difficult decisions I wasn't prepared to make.
The internal spiral threatened to overwhelm me entirely, but Claiborne's voice cut through the chaos before I could fall too deeply into self-recrimination and horror.
"An anonymous woman called this morning to report a break-in at Luke Smith's house."
The words hit with the force of physical impact, each syllable landing like a blow that drove the air from my lungs and made the room tilt slightly on its axis.
Luke Smith's house.
The address where I'd spent last night committing crimes I'd once have condemned without hesitation. The location of a body that was probably already decomposing in a cupboard under the stairs. The scene I'd contaminated so thoroughly that forensic examination would inevitably lead back to me.
My heart began to race again, anxiety spiking so sharply I felt dizzy. The room seemed to darken at the edges, my vision tunnelling slightly as adrenaline flooded my system in preparation for fight or flight — neither of which were viable options whilst standing in my sergeant's office trying to appear normal.
An anonymous woman called.
The detail registered with investigative instinct that couldn't be suppressed even by personal panic. Someone had called it in. Someone had reported the break-in — but apparently not the murder, given Claiborne's phrasing. Just the break-in.
Did someone see me? Was there a witness I didn't know about? A neighbour who'd been looking out their window at the wrong — or right — moment?
The paranoid scenarios multiplied: security cameras I'd missed, someone walking their dog at an unfortunate time, a resident with insomnia who'd been watching the street whilst unable to sleep.
Was this about the USB and the phone?
That seemed less likely. If someone had seen me take evidence, they'd report more than just a break-in. They'd report theft, would mention seeing someone remove items from the property. The fact that only breaking-and-entering was mentioned suggested the caller hadn't witnessed — or hadn't mentioned — the evidence I'd stolen.
I struggled desperately to keep my composure, acutely aware that any sign of panic might raise suspicions Claiborne didn't appear to currently have. My face felt hot — blood rushing to my cheeks in that telltale flush that announced stress and guilt in equal measure. My hands trembled slightly at my sides, and I clasped them behind my back to hide the visible evidence of my distress.
Breathe, I instructed myself firmly. Just breathe. He doesn't know you were there. He's telling you about a reported break-in, nothing more. This could still be manageable.
But holding my breath felt like the only way to ensure I didn't give away anything incriminating, like the simple act of respiration might somehow betray the secrets I was carrying. So I held it, my lungs burning with the effort, my chest tight with sustained tension.
The silence stretched between us, weighted with implications I desperately hoped Claiborne wasn't perceiving. He was watching me — I could feel his gaze cataloguing any tells or signs of unusual response to the information he'd just delivered.
Don't crack, I told myself with fierce determination. Whatever you do, don't let him see that this means anything more to you than any other break-in report.
"I've told all the other patrols to hold off," Claiborne continued after a pause that felt eternal. His voice carried careful neutrality, revealing nothing about whether my reaction had raised concerns. "I thought you should take it."
He gave me a sideways look — that particular expression of assessment that senior officers perfected, searching for reactions whilst pretending casual disinterest.
My mind immediately rebelled against the assignment, panic surging with fresh intensity.
I don't want to be with Karl right now.
The thought was immediate and visceral. The idea of facing him so soon after last night — after watching him kill someone, after helping him by concealing evidence, after becoming complicit in murder through my own desperate attempts to protect him — felt utterly impossible.
How was I supposed to stand next to him and pretend everything was normal? How was I supposed to conduct a professional investigation of a scene where I'd committed multiple crimes? How was I supposed to look at him without seeing that broken neck, without wondering how those hands that had touched me so intimately had snapped another person's spine?
But the internal resistance collided immediately with professional calculation. Turning down the assignment would look highly suspicious, especially given my usual eagerness for such cases.
Refusing this one — particularly given my known involvement in the Luke Smith investigation — would be so out of character it would immediately raise red flags.
Claiborne would want to know why. Would press for an explanation. Would start questioning whether something else was going on that made me reluctant to investigate this particular break-in.
And once he started asking those questions, once he began pulling that thread, the entire fabric of lies I'd constructed would start to unravel.
The calculation happened in microseconds, weighing risks against each other with the kind of desperate speed that came from having no good options, only various degrees of terrible ones.
You have to take it, I concluded with sick certainty. You have to go back to that house and pretend you're seeing it for the first time. You have to stand in that room and investigate the break-in whilst a body decomposes in a cupboard downstairs. You have to do this because refusing would be worse.
With careful, measured movement — projecting confidence I absolutely didn't feel — I nodded my agreement. "I'll take Crosswell," I managed to say, my voice coming out steadier than I'd expected.
The Sergeant studied me for a lingering moment. His gaze was penetrating, searching, making me question how much he actually suspected versus how much was just my guilty conscience projecting meaning onto neutral observation.
Does he know something? Can he see through me? Is this a test?
The paranoid thoughts circled like sharks, but I held his gaze, refusing to look away first, refusing to show any of the panic churning beneath my surface.
"Fine," Claiborne finally replied, his voice giving nothing away — no approval, no suspicion, no reaction at all beyond simple acknowledgment of the decision.
The single word should have brought relief but instead just created new anxiety. Because now I was committed. Now I had to actually go back to that house, had to walk through those rooms again, had to see what daylight revealed that darkness had concealed.
Had to pray that I hadn't left evidence that would immediately give me away, that my blood hadn't been found yet, that the body remained hidden long enough for me to... what? Figure out a plan? Find a way to protect Karl and myself? Make all of this somehow go away?
As I turned to leave the office, a mix of relief and anxiety washed over me in waves — relief that the immediate confrontation was over, anxiety about what came next, about all the ways this could still go catastrophically wrong.
Being assigned to the incident was both a risk and an opportunity, I realised as I stepped back into the corridor. It was a chance to control the narrative, to possibly manage any traces of what had happened, to influence the investigation from the inside.
But it also meant diving back into the heart of the turmoil, back to the house where everything had gone so horribly wrong, back to the scene of crimes that would haunt me for however long remained of my life.
And now, I had to pretend none of it had ever happened.
